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Behind the Zines introduces a cutting-edge selection of international zines and examines their role as a catalyst in the evolution of media and graphic design today. The book presents the broad range of existing zines that combine thought-provoking content with compelling design: from project-oriented portfolios and (pseudo) scientific treatises to playrooms where creatives can run riot and publications in which the printing process significantly influences aesthetics. It not only describes the key factors that distinguish various zines, but through interviews with people involved in their production and distribution also sheds light on various strategies for this evolving media form.
- Sales Rank: #1223158 in Books
- Brand: Klanten, Robert (EDT)/ Mollard, Adeline (EDT)/ Hubner, Matthias (EDT)
- Published on: 2011-04-01
- Released on: 2011-04-01
- Original language: English
- Number of items: 1
- Dimensions: .85" h x 9.40" w x 11.00" l, 2.94 pounds
- Binding: Paperback
- 239 pages
Most helpful customer reviews
5 of 5 people found the following review helpful.
design for self-published periodicals and books in the U.S. and Europe
By Henry Berry
With no outer spine covering, the book's signatures and the twine binding them together (for a solid binding) exposed at the spine and the linen front and back covers exemplify the improvisational nature of many self-published publications. The
more than 100 self-published works showcased are published regularly or periodically. The mostly illustrated interior with captions for the visual matter on nearly every page and occasional backgrounds on an editor or designer or short statements expand on this improvisational and in most cases energetic, adventurous, and artful style of the "zines" as such are called, short for "magazine". The large majority are European with a number from the United States.
Although there are cultural and political implications in the zines done outside of the corporate media selection, production, and promotion, the focus of the many and varied zines in this visual anthology is contemporary, mostly postmodern art involving photography, graphics, typography, and figures and faces.
Erik Van Der Weijde, publisher of "4878ZINE", is quoted, "To me, working with photography implies that I don't make things up. I just take what is already there, scoop it out of its context, and then present it after some selection and editing." Urs Lehni, publisher of Rollo Press, remarks, "Rollo Press is all about restrictions. The device itself is limited to a certain format, color, aesthetic, etc. I try to sound out the possibilities with these given limitations."
There are no basically literary, political, minority, feminist, or gender zines, kinds Americans are most familiar with. Although there are few of these found in America these days. Nonetheless, in the U.S., part of the image of zines involves their appearance in the cultural and political turmoil of the 1960s. This historical connection has been pushed into the background however as in the U.S. as in Europe, self-publications have changed with the growth of visual culture and concomitant aestheticized mentality and interests.
Even so, the periodicals are instructive for publishers of zines in any field--for design is a priority for such publications. Standing out visually denotes standing out in content and often perspective. Early American zines were important in breaking ground for today's graphic novels, avant-garde and popular art, and visual style of many leading mass-market magazines. As publications featured here in this generation of zines will no doubt be looked back on at some time as precursors of elements of that day's media. The index gives each periodical's website for further study by interested readers.
0 of 0 people found the following review helpful.
Great Modern Execution
By Shayna
Very useful resource for today's zine culture- in terms of design/layout/style across continents. Recommend! Here's a more thorough write up of the book:
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0 of 0 people found the following review helpful.
Five Stars
By Jessica Cristina Avelino Araujo
good from the graphic project to the content.
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